Mise puts call sheets, shot lists, scripts, scheduling, budgets, and locations in one app for iPhone and iPad. It is built to work with no signal, because that is where most of a shoot day happens. Your subscription now includes the web version at mise.simonbuilds.app, so the same films are there at a full screen when you get back to a desk. Made by a filmmaker, on real productions.
Location, crew, scenes, and call times in a format your whole crew can read on their phones.
Shot lists with references, lighting diagrams, and color notes attached to each setup.
Scene-level scheduling laid out day by day, plus a script viewer and scene-by-scene breakdowns.
Invite your AD, DP, producer, or PA. Role-based access keeps the right people in the right tools.
Bring a shot list, crew sheet, or budget in from a CSV with column mapping, downloadable templates, and an import history you can undo in one tap.
Locations with maps, photos, and weather. Budget tracking with line items and categories.
Mobile-first and built to work on set. Works offline and syncs automatically when you reconnect.
Export to PDF or CSV, track VFX shots and festival submissions, and file wrap reports when the day ends.
A digital slate, a take log with circle and NG one tap away, and a shot checklist you can run down between setups.
Continuity notes with photos, plus a lens calculator and frame guides for when the question is which lens rather than which scene.
Import a PDF script, annotate it, pull sides for the day, and break scenes down into cast, props, and page counts in eighths.
Version 1.1.1 is out. The headline is that Mise now runs on your computer — your subscription includes the web version at mise.simonbuilds.app, signed in with the same account, nothing to install. Budgets, call sheets, and the crew directory are all easier at a desk. Everything below shipped with it.
The same films, laid out for a full screen. Sign in with the account you already use on the phone and your productions are there — included with your subscription, nothing to install.
Text or email the unit straight from the Comms Hub, plus tap-to-pick dates and times, a full-screen digital slate you can hold up to camera, and search across all the tools.
A Today view that lands on the current shoot day rather than a project list, with the scenes, the cast called, and how the day is running against the plan. It understands that a night shoot outlives its own calendar date.
Cast with their own makeup, wardrobe, and on-set times. Nearest hospital and safety notes. Parking, basecamp, walkie channels, and meals. Key contacts pulled from the crew you already entered, so there is one phone number and not two. Tomorrow's advance read off the schedule, and a version stamp so the unit knows which sheet is current.
Documents that print black on white and read when photocopied, instead of plain text. Call sheets, shot lists, schedules, budgets, wrap reports, and selects.
Your address book stays yours, but each film gets its own unit, and each person gets their own call time for the day.
Every control in the app now announces itself to VoiceOver. Nothing renders below 12pt, and nothing below 14pt on the screens you read at arm's length in the dark. Text throughout meets WCAG AA contrast.
Days carry the actual scenes rather than a typed list, so page counts total in eighths and the schedule cannot quietly disagree with the call sheet.
Mise on the App Store is version 1.0. The features above are not in it yet.
Mise is free to download, and the whole production toolkit works on one device without an account. A subscription adds the things that reach beyond it — syncing across your devices and crew, spreadsheet import, CSV templates, and undoable import history — priced for independent productions: $4.99 per month for the first device and $2.99 per month for each additional device, with annual options at $49.99 and $29.99. Comparable production tools run $29 to $99 per month.
You can also use Mise locally without an account. Mise does not sell your data or share it with advertisers, and it is never used to train AI.
Mise is built by Simon Shih, an actor and director working in the Atlanta film market, and operated by Page 4 Films, LLC.
Every production tool in the app: call sheets, shot lists, scheduling, scripts, budgets, locations, lighting, continuity, and the on-set kit, on one device, with no account required. The subscription adds syncing and the spreadsheet import suite.
Yes. Mise is built to work on set without a connection and syncs automatically when you reconnect.
Yes. Invite crew members with role-based access, so your AD, DP, producer, and PAs each see the tools they need. Shared productions need a subscription, since that is what syncing runs on.
The download is free. Syncing runs $4.99 per month for the first device and $2.99 per month for each additional device. Annual plans are $49.99 and $29.99. You can use it locally without an account or subscription.
Mise is built by Simon Shih, an actor and director making films in Atlanta, and is owned and operated by Page 4 Films, LLC. Every feature exists because a real production needed it.